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15 in Bloomington, MN
Current price: $20.99


15 in Bloomington, MN
Current price: $20.99
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Size: CD
A few months before the release of
Buckcherry
's long-awaited sophomore album, the national press proclaimed that classic
rock
was back, as if
-- classic or otherwise -- had ever gone away.
most definitely had, though, for four long years, and the group that returned sported three different members than the one that had left. But their timing was impeccable, as evidenced by the success of
"Crazy Bitch,"
a taster for this set. The thundering
"Bitch"
has a decidedly
Aerosmith
feel, not surprising when you discover that band's producer
Marti Frederiksen
co-wrote one of the numbers within
15
, the lavish power
ballad
"Sorry."
"Carousel"
also echoes with sounds of the past, and is hands down the best song
Rod Stewart
and
the Faces
never wrote but should have, with guitar solos that reverberate of
Ron Wood
and a gorgeous melody that grasps your heart and never lets go. And then there's the tasty
country
-fried
blues
of...
"Brooklyn"
? Sure, why not? There are rednecks in the Big Apple, too, but who knew you could hear such mean slide guitar and great bluesy riffs in that borough? Moving forward in time,
"Everything"
boasts some ringing
U2-ish
guitar, but the song itself has a much more '90s
alterna-rock
feel, one of several tracks that fall into the now well-missed genre. And at the far end of the spectrum comes the likes of
"So Far"
"Broken Glass,"
the former a storming
hard rocker
, the latter pushing toward
hardcore
, both perfectly bookending this stunning set. So no matter how you like your
served up,
dish it with delight, and you'll be wolfing it down and demanding more. ~ Jo-Ann Greene
Buckcherry
's long-awaited sophomore album, the national press proclaimed that classic
rock
was back, as if
-- classic or otherwise -- had ever gone away.
most definitely had, though, for four long years, and the group that returned sported three different members than the one that had left. But their timing was impeccable, as evidenced by the success of
"Crazy Bitch,"
a taster for this set. The thundering
"Bitch"
has a decidedly
Aerosmith
feel, not surprising when you discover that band's producer
Marti Frederiksen
co-wrote one of the numbers within
15
, the lavish power
ballad
"Sorry."
"Carousel"
also echoes with sounds of the past, and is hands down the best song
Rod Stewart
and
the Faces
never wrote but should have, with guitar solos that reverberate of
Ron Wood
and a gorgeous melody that grasps your heart and never lets go. And then there's the tasty
country
-fried
blues
of...
"Brooklyn"
? Sure, why not? There are rednecks in the Big Apple, too, but who knew you could hear such mean slide guitar and great bluesy riffs in that borough? Moving forward in time,
"Everything"
boasts some ringing
U2-ish
guitar, but the song itself has a much more '90s
alterna-rock
feel, one of several tracks that fall into the now well-missed genre. And at the far end of the spectrum comes the likes of
"So Far"
"Broken Glass,"
the former a storming
hard rocker
, the latter pushing toward
hardcore
, both perfectly bookending this stunning set. So no matter how you like your
served up,
dish it with delight, and you'll be wolfing it down and demanding more. ~ Jo-Ann Greene
A few months before the release of
Buckcherry
's long-awaited sophomore album, the national press proclaimed that classic
rock
was back, as if
-- classic or otherwise -- had ever gone away.
most definitely had, though, for four long years, and the group that returned sported three different members than the one that had left. But their timing was impeccable, as evidenced by the success of
"Crazy Bitch,"
a taster for this set. The thundering
"Bitch"
has a decidedly
Aerosmith
feel, not surprising when you discover that band's producer
Marti Frederiksen
co-wrote one of the numbers within
15
, the lavish power
ballad
"Sorry."
"Carousel"
also echoes with sounds of the past, and is hands down the best song
Rod Stewart
and
the Faces
never wrote but should have, with guitar solos that reverberate of
Ron Wood
and a gorgeous melody that grasps your heart and never lets go. And then there's the tasty
country
-fried
blues
of...
"Brooklyn"
? Sure, why not? There are rednecks in the Big Apple, too, but who knew you could hear such mean slide guitar and great bluesy riffs in that borough? Moving forward in time,
"Everything"
boasts some ringing
U2-ish
guitar, but the song itself has a much more '90s
alterna-rock
feel, one of several tracks that fall into the now well-missed genre. And at the far end of the spectrum comes the likes of
"So Far"
"Broken Glass,"
the former a storming
hard rocker
, the latter pushing toward
hardcore
, both perfectly bookending this stunning set. So no matter how you like your
served up,
dish it with delight, and you'll be wolfing it down and demanding more. ~ Jo-Ann Greene
Buckcherry
's long-awaited sophomore album, the national press proclaimed that classic
rock
was back, as if
-- classic or otherwise -- had ever gone away.
most definitely had, though, for four long years, and the group that returned sported three different members than the one that had left. But their timing was impeccable, as evidenced by the success of
"Crazy Bitch,"
a taster for this set. The thundering
"Bitch"
has a decidedly
Aerosmith
feel, not surprising when you discover that band's producer
Marti Frederiksen
co-wrote one of the numbers within
15
, the lavish power
ballad
"Sorry."
"Carousel"
also echoes with sounds of the past, and is hands down the best song
Rod Stewart
and
the Faces
never wrote but should have, with guitar solos that reverberate of
Ron Wood
and a gorgeous melody that grasps your heart and never lets go. And then there's the tasty
country
-fried
blues
of...
"Brooklyn"
? Sure, why not? There are rednecks in the Big Apple, too, but who knew you could hear such mean slide guitar and great bluesy riffs in that borough? Moving forward in time,
"Everything"
boasts some ringing
U2-ish
guitar, but the song itself has a much more '90s
alterna-rock
feel, one of several tracks that fall into the now well-missed genre. And at the far end of the spectrum comes the likes of
"So Far"
"Broken Glass,"
the former a storming
hard rocker
, the latter pushing toward
hardcore
, both perfectly bookending this stunning set. So no matter how you like your
served up,
dish it with delight, and you'll be wolfing it down and demanding more. ~ Jo-Ann Greene
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