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The Studio, Vol. 41: An Illustrated Magazine of Fine and Applied Art; June 15, 1907 (Classic Reprint)

The Studio, Vol. 41: An Illustrated Magazine of Fine and Applied Art; June 15, 1907 (Classic Reprint) in Bloomington, MN

Current price: $30.99
Get it at Barnes and Noble
The Studio, Vol. 41: An Illustrated Magazine of Fine and Applied Art; June 15, 1907 (Classic Reprint)

The Studio, Vol. 41: An Illustrated Magazine of Fine and Applied Art; June 15, 1907 (Classic Reprint) in Bloomington, MN

Current price: $30.99
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Size: OS

Get it at Barnes and Noble
Excerpt from The Studio, Vol. 41: An Illustrated Magazine of Fine and Applied Art; June 15, 1907
The features of the British Room as designed and decorated by Frank Brangwyn two years ago.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Studio, Vol. 41: An Illustrated Magazine of Fine and Applied Art; June 15, 1907
The features of the British Room as designed and decorated by Frank Brangwyn two years ago.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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