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Stan Mack's Real Life Funnies: The Collected Conceits, Delusions, and Hijinks of New Yorkers from 1974 to 1995
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Stan Mack's Real Life Funnies: The Collected Conceits, Delusions, and Hijinks of New Yorkers from 1974 to 1995 in Bloomington, MN
Current price: $50.00
Stan Mack's Real Life Funnies: The Collected Conceits, Delusions, and Hijinks of New Yorkers from 1974 to 1995 in Bloomington, MN
Current price: $50.00
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Size: OS
A gigantic collection of Stan Mack’s seminal comic strip that ran in the
Village Voice
from 1974 to 1995.
WINNER 2024-2025 New York City Book Awards, New York Society Library
Sketchbook in hand, Stan Mack haunted the New York City environs, watching, listening, overhearing, and interviewing its inhabitants. He drew a comic strip every week based on what he saw and heard, famously using verbatim dialogue for his graphic dramatizations. A mixture of humor, spontaneity, serendipity, and weirdness, Mack’s comic strip snapshots caught New Yorkers — whether it is an extortionist calligrapher, a baby evading arrest at her first protest, a stroll up Broadway with a ferret, an evening with a male liberationist, or an unlucky-in-love dolphin trainer — being who they are in all their unguarded and uninhibited glory. This collection includes a foreword by CNN journalist Jake Tapper (
The Outpost: An Untold Story of American Valor
) and an afterword by Jeannette Walls (
The Glass Castle
).
Village Voice
from 1974 to 1995.
WINNER 2024-2025 New York City Book Awards, New York Society Library
Sketchbook in hand, Stan Mack haunted the New York City environs, watching, listening, overhearing, and interviewing its inhabitants. He drew a comic strip every week based on what he saw and heard, famously using verbatim dialogue for his graphic dramatizations. A mixture of humor, spontaneity, serendipity, and weirdness, Mack’s comic strip snapshots caught New Yorkers — whether it is an extortionist calligrapher, a baby evading arrest at her first protest, a stroll up Broadway with a ferret, an evening with a male liberationist, or an unlucky-in-love dolphin trainer — being who they are in all their unguarded and uninhibited glory. This collection includes a foreword by CNN journalist Jake Tapper (
The Outpost: An Untold Story of American Valor
) and an afterword by Jeannette Walls (
The Glass Castle
).
A gigantic collection of Stan Mack’s seminal comic strip that ran in the
Village Voice
from 1974 to 1995.
WINNER 2024-2025 New York City Book Awards, New York Society Library
Sketchbook in hand, Stan Mack haunted the New York City environs, watching, listening, overhearing, and interviewing its inhabitants. He drew a comic strip every week based on what he saw and heard, famously using verbatim dialogue for his graphic dramatizations. A mixture of humor, spontaneity, serendipity, and weirdness, Mack’s comic strip snapshots caught New Yorkers — whether it is an extortionist calligrapher, a baby evading arrest at her first protest, a stroll up Broadway with a ferret, an evening with a male liberationist, or an unlucky-in-love dolphin trainer — being who they are in all their unguarded and uninhibited glory. This collection includes a foreword by CNN journalist Jake Tapper (
The Outpost: An Untold Story of American Valor
) and an afterword by Jeannette Walls (
The Glass Castle
).
Village Voice
from 1974 to 1995.
WINNER 2024-2025 New York City Book Awards, New York Society Library
Sketchbook in hand, Stan Mack haunted the New York City environs, watching, listening, overhearing, and interviewing its inhabitants. He drew a comic strip every week based on what he saw and heard, famously using verbatim dialogue for his graphic dramatizations. A mixture of humor, spontaneity, serendipity, and weirdness, Mack’s comic strip snapshots caught New Yorkers — whether it is an extortionist calligrapher, a baby evading arrest at her first protest, a stroll up Broadway with a ferret, an evening with a male liberationist, or an unlucky-in-love dolphin trainer — being who they are in all their unguarded and uninhibited glory. This collection includes a foreword by CNN journalist Jake Tapper (
The Outpost: An Untold Story of American Valor
) and an afterword by Jeannette Walls (
The Glass Castle
).
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