The following text field will produce suggestions that follow it as you type.

Barnes and Noble

Loading Inventory...
Spheres

Spheres in Bloomington, MN

Current price: $27.99
Get it at Barnes and Noble
Spheres

Spheres in Bloomington, MN

Current price: $27.99
Loading Inventory...

Size: OS

Get it at Barnes and Noble
Pestilence
's fourth and final album, 1993's
Spheres
, was an inspired but divisive affair, broadening their creative horizons to the brink of
death metal
's acceptable limits while alienating their audience at a time when
heavy metal
in general found itself in a no-win situation, no matter how inspired. On
,
Patrick Mameli
's vocals were still 100 percent melody-free and crusty in the extreme, but bona fide
guitar crunch was significantly scaled back to make way for pervasive synthesizers, spinning spidery strands throughout the album's best songs -- much like
Cynic
's
Focus
CD that same year, in fact, minus the equally synthetic robo-vocals. And yet
's risk-taking really paid off on these cuts (namely
"Personal Energy,"
with its division bells forewarning of progress, the aptly named
"Changing Perspectives,"
and the title track), which turned out as appealing and memorable as they were unorthodox. Too bad they were all shoved into the album's second half, while the first was packed with significantly harsher but halfhearted and unfulfilling hybrids like
"Mind Reflections,"
"Multiple Beings,"
and
"The Level of Perception"
-- presumably ordered that way in a failed attempt to appease the band's
hard-liners as they were drawn into
' drastic innovations. And, showing how close was the fraternity of
progressive death metal
bands of the period, shorter
ambient
pieces such as
"Aurian Eyes,"
"Voices from Within,"
"Phileas"
resembled similar detours placed by
death
-
jazz
supremos
Atheist
on their final LP,
Elements
-- also released in 1993. Come to think of it, these three likeminded bands' simultaneous experimentation and extinction pretty much proves that the average
fan was simply unable -- or unwilling -- to accept such daring sonic evolution. And so,
unfortunately signaled the stillborn death of a promising subgenre, as well as
's career, but it's no wonder that the album remains a cult favorite among those by bands as different as
Daath
CKY
. ~ Eduardo Rivadavia
Pestilence
's fourth and final album, 1993's
Spheres
, was an inspired but divisive affair, broadening their creative horizons to the brink of
death metal
's acceptable limits while alienating their audience at a time when
heavy metal
in general found itself in a no-win situation, no matter how inspired. On
,
Patrick Mameli
's vocals were still 100 percent melody-free and crusty in the extreme, but bona fide
guitar crunch was significantly scaled back to make way for pervasive synthesizers, spinning spidery strands throughout the album's best songs -- much like
Cynic
's
Focus
CD that same year, in fact, minus the equally synthetic robo-vocals. And yet
's risk-taking really paid off on these cuts (namely
"Personal Energy,"
with its division bells forewarning of progress, the aptly named
"Changing Perspectives,"
and the title track), which turned out as appealing and memorable as they were unorthodox. Too bad they were all shoved into the album's second half, while the first was packed with significantly harsher but halfhearted and unfulfilling hybrids like
"Mind Reflections,"
"Multiple Beings,"
and
"The Level of Perception"
-- presumably ordered that way in a failed attempt to appease the band's
hard-liners as they were drawn into
' drastic innovations. And, showing how close was the fraternity of
progressive death metal
bands of the period, shorter
ambient
pieces such as
"Aurian Eyes,"
"Voices from Within,"
"Phileas"
resembled similar detours placed by
death
-
jazz
supremos
Atheist
on their final LP,
Elements
-- also released in 1993. Come to think of it, these three likeminded bands' simultaneous experimentation and extinction pretty much proves that the average
fan was simply unable -- or unwilling -- to accept such daring sonic evolution. And so,
unfortunately signaled the stillborn death of a promising subgenre, as well as
's career, but it's no wonder that the album remains a cult favorite among those by bands as different as
Daath
CKY
. ~ Eduardo Rivadavia

Find at Mall of America® in Bloomington, MN

Visit at Mall of America® in Bloomington, MN
Powered by Adeptmind