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Solitary Tales

Solitary Tales in Bloomington, MN

Current price: $18.99
Get it at Barnes and Noble
Solitary Tales

Solitary Tales in Bloomington, MN

Current price: $18.99
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Size: OS

Get it at Barnes and Noble
Recorded during a solo concert in the sound engineer's (and guitar maker's) home,
Solitary Tales
lets guitarist
John Stowell
slowly explore a range of musical ideas. The pace never gets to be too much, with
Stowell
rarely stepping up the tempo up beyond the leisurely. The star is always
's intricate touch, pulling nuances of sound from the guitar carefully along the way. There isn't as much melody here as there is ambient background sound, but the melody does find a way in here and there. The works tend to run together, as they realistically should in a small, intimate concert such as this one, but as a result there are also few moments that really stand out from the background. A bit of extra doodling in
Steve Swallow
's
"Willow"
gives
a bit more of a bubbling sound than he often uses. Perhaps more excitingly, though, a turn on an
Ornette Coleman
number (
"Blues Connotation"
) gives
the room to both try out some off-kilter rhythms and phrasings, and to touch upon the blues rather than the more modern (nearly smooth) jazz sound that tends to come from a nylon acoustic in the rest of the compositions.
's a fine musician, but while the solo outing here highlights the nuances of his touch, it also tends to focus more on the specific momentary sounds and a general flow rather than on any full compositions. Interesting, but newcomers interested in
may do better to start with a combo format (such as
Scenes
with
John Bishop
,
Jeff Johnson
, and
Rick Mandyck
). ~ Adam Greenberg
Recorded during a solo concert in the sound engineer's (and guitar maker's) home,
Solitary Tales
lets guitarist
John Stowell
slowly explore a range of musical ideas. The pace never gets to be too much, with
Stowell
rarely stepping up the tempo up beyond the leisurely. The star is always
's intricate touch, pulling nuances of sound from the guitar carefully along the way. There isn't as much melody here as there is ambient background sound, but the melody does find a way in here and there. The works tend to run together, as they realistically should in a small, intimate concert such as this one, but as a result there are also few moments that really stand out from the background. A bit of extra doodling in
Steve Swallow
's
"Willow"
gives
a bit more of a bubbling sound than he often uses. Perhaps more excitingly, though, a turn on an
Ornette Coleman
number (
"Blues Connotation"
) gives
the room to both try out some off-kilter rhythms and phrasings, and to touch upon the blues rather than the more modern (nearly smooth) jazz sound that tends to come from a nylon acoustic in the rest of the compositions.
's a fine musician, but while the solo outing here highlights the nuances of his touch, it also tends to focus more on the specific momentary sounds and a general flow rather than on any full compositions. Interesting, but newcomers interested in
may do better to start with a combo format (such as
Scenes
with
John Bishop
,
Jeff Johnson
, and
Rick Mandyck
). ~ Adam Greenberg

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