An experimental monograph that explores Nathaniel Mellors’s linguistic manipulation, absurdist comedy and aspects of video, sculpture, performance and critical writing interwoven in his work. Featuring a selection of his original scripts from 2006 onward that have since been developed into video and installation works, including Ourhouse (2010) and Brain One—Mózg Jeden (2006). Contributions by artist and writer Mick Peter and Los Angeles art critic John C. Welchman.