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Move It on Over
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Move It on Over in Bloomington, MN
Current price: $12.99

Move It on Over in Bloomington, MN
Current price: $12.99
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Size: CD
George Thorogood & the Destroyers
don't change their tune on
Move It On Over
, their second album from 1978, but they do polish their attack just a bit. Where their 1977 album was a nasty, brutish affair, this is sharpened slightly, possibly due to
Ken Irwin
's muscular production.
Irwin
gives
the Destroyers
some color and lets some air in between the instruments, and the difference is immediately apparent. Other than that clarity and a lack of originals, not much has changed on
:
Thorogood
still leads
through barreling blues boogie, emphasizing feel and sound over groove.
Hound Dog Taylor's Houserockers
remain the crucial touch point around which
incorporate
Elmore James
' careening slide and
Bo Diddley
's hypnotic big beat. Everything else, including covers of
Hank Williams
and
Chuck Berry
, are shoved into this blueprint, a sound that
do so well, they never veered away from it (perhaps they learned their lesson from the album's lone stumble, the slow and feeble version of
James Moore
's "I'm Just Your Good Thing"). Gold records and radio hits came later, but this is the album where everything fell into place for
George Thorogood
; it's the record that defined what came afterward, and it remains one of his best. ~ Stephen Thomas Erlewine
don't change their tune on
Move It On Over
, their second album from 1978, but they do polish their attack just a bit. Where their 1977 album was a nasty, brutish affair, this is sharpened slightly, possibly due to
Ken Irwin
's muscular production.
Irwin
gives
the Destroyers
some color and lets some air in between the instruments, and the difference is immediately apparent. Other than that clarity and a lack of originals, not much has changed on
:
Thorogood
still leads
through barreling blues boogie, emphasizing feel and sound over groove.
Hound Dog Taylor's Houserockers
remain the crucial touch point around which
incorporate
Elmore James
' careening slide and
Bo Diddley
's hypnotic big beat. Everything else, including covers of
Hank Williams
and
Chuck Berry
, are shoved into this blueprint, a sound that
do so well, they never veered away from it (perhaps they learned their lesson from the album's lone stumble, the slow and feeble version of
James Moore
's "I'm Just Your Good Thing"). Gold records and radio hits came later, but this is the album where everything fell into place for
George Thorogood
; it's the record that defined what came afterward, and it remains one of his best. ~ Stephen Thomas Erlewine
George Thorogood & the Destroyers
don't change their tune on
Move It On Over
, their second album from 1978, but they do polish their attack just a bit. Where their 1977 album was a nasty, brutish affair, this is sharpened slightly, possibly due to
Ken Irwin
's muscular production.
Irwin
gives
the Destroyers
some color and lets some air in between the instruments, and the difference is immediately apparent. Other than that clarity and a lack of originals, not much has changed on
:
Thorogood
still leads
through barreling blues boogie, emphasizing feel and sound over groove.
Hound Dog Taylor's Houserockers
remain the crucial touch point around which
incorporate
Elmore James
' careening slide and
Bo Diddley
's hypnotic big beat. Everything else, including covers of
Hank Williams
and
Chuck Berry
, are shoved into this blueprint, a sound that
do so well, they never veered away from it (perhaps they learned their lesson from the album's lone stumble, the slow and feeble version of
James Moore
's "I'm Just Your Good Thing"). Gold records and radio hits came later, but this is the album where everything fell into place for
George Thorogood
; it's the record that defined what came afterward, and it remains one of his best. ~ Stephen Thomas Erlewine
don't change their tune on
Move It On Over
, their second album from 1978, but they do polish their attack just a bit. Where their 1977 album was a nasty, brutish affair, this is sharpened slightly, possibly due to
Ken Irwin
's muscular production.
Irwin
gives
the Destroyers
some color and lets some air in between the instruments, and the difference is immediately apparent. Other than that clarity and a lack of originals, not much has changed on
:
Thorogood
still leads
through barreling blues boogie, emphasizing feel and sound over groove.
Hound Dog Taylor's Houserockers
remain the crucial touch point around which
incorporate
Elmore James
' careening slide and
Bo Diddley
's hypnotic big beat. Everything else, including covers of
Hank Williams
and
Chuck Berry
, are shoved into this blueprint, a sound that
do so well, they never veered away from it (perhaps they learned their lesson from the album's lone stumble, the slow and feeble version of
James Moore
's "I'm Just Your Good Thing"). Gold records and radio hits came later, but this is the album where everything fell into place for
George Thorogood
; it's the record that defined what came afterward, and it remains one of his best. ~ Stephen Thomas Erlewine



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