The much-anticipated second collection from the author of
The Quiet
.
Anne-Marie Turza’s Fugue With Bedbug is part musical reference, part portraiture, a series of uncanny poems attending to time and mortality, an eccentric essay, and a musical score. Using the fugue form as a quiet compositional strategy, Turza argues that the mission: “in afterthought, was Jell-O, a salad of delicate intent and shimmy …”